Vol. 32 No. 1 (2023)

Articles

• GUEST EDITORS' NOTE

  Ana Butković, Valnea Žauhar

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• Musicality in Infancy

  Sandra E. Trehub

  1-11

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• Consonance and Dissonance of Simultaneous Trichords in Western Music: A Listening Experiment to Test Models of Harmonicity and Roughness

  Richard Parncutt, Isabelle Engel, Lazar Radovanovic

  13-34

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• Unexpected Aspects of Expectancy in Music: A Spreading Activation Explanation

  Emery Schubert

  35-55

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• The Influence of the Moving Image on Music-Induced Emotions

  Elias Gram-Nilsen, Jonna K. Vuoskoski

  57-80

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• The Effect of Ear-Training Approach on Music-Evoked Emotions and Music Liking

  Valnea Žauhar, Sabina Vidulin, Marlena Plavšić, Igor Bajšanski

  81-104

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• Self-Determination Theory Perspective on Motivation and Solo Performance among Students in Higher Music Education in Serbia

  Blanka Bogunović, Olja Jovanović, Nataša Simić, Dejana Mutavdžin

  105-124

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• The Relationship between Personality and Creative Self-Beliefs at Different Levels of Personality Hierarchy

  Matej Pavlić, Matea Kramarić, Ana Butković

  125-141

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• The Relationship between Multicultural Effectiveness and Artistic Preferences

  Snježana Dobrota, Ina Reić Ercegovac, Katija Kalebić Jakupčević

  143-161

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• Social Influence in Rating Music

  Neven Prišuta, Dragutin Ivanec, Anja Podlesek

  163-178

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• Flow in Music Performance: From Theory to Educational Applications

  Katarina Habe, Michele Biasutti

  179-195

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• Singing and Well-Being Indicators

  Marija Jozić, Ana Butković

  197-207

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• A Comparison of Music Characteristics of Funeral Music from Croatia, the Netherlands, and the United Kingdom

  Waldie E. Hanser, Ruth E. Mark, Ad J. J. M. Vingerhoets

  209-226

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